Noabelle Chegaing

Frontale Porträtaufnahme der jungen Frau. Ihr dunkles, gelocktes Haar trägt sie offen. Sie blickt lächelnd in die Kamera.

Profile

Voice type

Soprano Koloratur

Nationality

Germany

Email

noabelle.chegaing@gmx.de

Website

noabellechegaing.com

Current studies

Master Specialized Music Performance Opera, Swiss Opera Studio, Bern Academy of the Arts

Vocal coach

Tanja Baumgartner

Former musical studies

  • 2022–2024: Master of Music Performance – Vocal Performance – Concert, Caroline Melzer, Zurich University of the Arts
  • 2019–2022: Bachelor of Music – Vocal Performance, Prof. Thomas Heyer, University of Music and Performing Arts, Frankfurt am Main, Germany

CV

Most important projects/concerts:

  • 2024: Solo concert: Gloria, F. Poulenc, 42nd Psalm Wie der Hirsch schreit, F. Mendelssohn, Johanniskirche Göttingen, Germany
  • 2021: Scholarship holder of Yehudi Menuhin Live Music Now, Frankfurt am Main, Germany
  • 2021: Part of Dolly Fleuriot in Meine Schwester und Ich, R. Benatzky, internal university production by Thilo Reinhardt, Hochschule für Musik und Darstellende Kunst, Frankfurt am Main, Germany
  • 2021: Part of Dido in Dido and Aeneas, Purcell, conducted by Mathias Schlachter, Open-Air Opera, Rödermark/Darmstadt, Germany
  • 2020: Part of Antonia in The Tales of Hoffmann, J. Offenbach, Burgfestspiele Bad Vilbel, Germany
  • 2020: New Year's concert with the Main Philharmonic Orchestra, Seligenstadt, Germany
  • 2019: Part of Clorinda in La Cenerentola, G. Rossini, Burgfestspiele Bad Vilbel, Germany
  • 2018: Part of the Sandman in Hansel and Gretel, W. Humperdinck, Burgfestspiele Bad Vilbel, Germany

Masterclasses : 

  • 2023: Masterclass with Snezana Stamencovic, Vienna, Austria
  • 2022: Masterclass with Margreet Honig, ZHdK, Zurich

Competitions:

  • 2023: Concurs Mirabent competition in Barcelona, Spain

Interview: Three questions for Noabelle Chegaing

Why are you studying opera? 

Singing has always been my passion. I have been fascinated by classical music, its complexity and historical background since I was at music school.

What was your first encounter with opera?

We analysed arias and overtures in music lessons and I went to the opera with my parents from an early age.

Which is your favourite opera and why? 

The first opera I went to was Carmen and it is still my favourite opera today. The romantic sounds of Bizet, the dramatic plot and the strong female role of Carmen captured my heart.